Lee and Warne doing their thing impeccably well. Beautiful soloing, both individually and unison. The rhythm section swings along nicely but there is little direct interaction between the front line and the drums/bass. The focus on the melodic line gives it a slightly abstract/ethereal quality, though the lines themselves certainly swing.
Do The Math has some interesting essays on the Tristano school and its relationships with the wider jazz tradition.
A scrapbook of jazz thoughts, influences and experiences by a Brighton-based listener and performer
Saturday 26 December 2009
Subconscious-Lee: Lee Konitz & Warne Marsh, 1954
Labels:
Lee Konitz,
Subconscious-Lee,
Warne Marsh
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