Highlights for me were the the head of Konitz' Subconscious Lee with Nikki playing an improvised counterpoint to Geoff's theme, a sensitive rendition of the waltz Elsa written by Earl Zinders and recorded by Bill Evans, Kenny's Wheeler's interesting changes on Kind Folk and Steve Swallow's mesmerising Falling Grace. On these numbers the quartet sounded like themselves - a distinctive and beautiful sound.
A scrapbook of jazz thoughts, influences and experiences by a Brighton-based listener and performer
Tuesday, 8 November 2011
Geoff Simkins Quartet at Hastings Jazz Club
Enjoyable gig last night. Geoff Simkins was playing with pianist Nikki Iles, bassist Simon Woolf and drummer Martin France on the first night of a short tour. They're all great improvisers in their own right but the focus last night was on ensemble playing.
Highlights for me were the the head of Konitz' Subconscious Lee with Nikki playing an improvised counterpoint to Geoff's theme, a sensitive rendition of the waltz Elsa written by Earl Zinders and recorded by Bill Evans, Kenny's Wheeler's interesting changes on Kind Folk and Steve Swallow's mesmerising Falling Grace. On these numbers the quartet sounded like themselves - a distinctive and beautiful sound.
Highlights for me were the the head of Konitz' Subconscious Lee with Nikki playing an improvised counterpoint to Geoff's theme, a sensitive rendition of the waltz Elsa written by Earl Zinders and recorded by Bill Evans, Kenny's Wheeler's interesting changes on Kind Folk and Steve Swallow's mesmerising Falling Grace. On these numbers the quartet sounded like themselves - a distinctive and beautiful sound.
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